11 Mar 2012

Man versus machine - part 2 the results

So after a suitable pause to build up some excitement and tension here are the results.

Let me know what you think, can you tell the difference? I can't, they are certainly food for thought, though ultimately I enjoy the process of cutting by hand rather than the process of creating vector files, but you may see some more machine cut birds sometime soon, as I have some plans so watch this space....

© Claire Brewster 2012

© Claire Brewster 2012

© Claire Brewster 2012

© Claire Brewster 2012

10 Mar 2012

Man verses machine - part 1

I recently got the chance to cut some birds using a Zund machine, which for those not familiar is a large flat be machine that can cut paper and card using a blade. The machines are used for making signage, cutting vinyl, and making architecture models.  It has some advantages over a laser, particularly when cutting paper as you don't get the burnt edges, though a laser can cut more materials.

Anyway it was interesting to see what the results would be.

First you have to start with some vector files, the machine has it's own software and the images are opened with in that.  The machine is very complex and you have to make sure you set the knife to only cut the depth of the material that you are cutting.  It is very fast and a little bit scary.

Here are some photos of the machine in action.  I will post the results later.



5 Mar 2012

Questions, Questions, Questions - Why maps?

This might be cardinal for you © Claire Brewster January 2012


























This is another question I get asked regularly, which deserves some thought.

So why maps - they are something I have always collected and been fascinated by.  They offer the opportunity to dream and to travel the world from the comfort of your own front room.

Maps just seem to lend themselves to making art work.  The patterns that are created by the contour lines, the road markings, symbols and colours are so fascinating and when they are abstracted out of the map and turned into a bird become so feather like.  I spend a lot of time looking at the maps and working out which bit is best and will work best with the bird.

I also love the the quality of the printing and the paper that you find with old maps, modern printing whilst obviously quick just doesn't have the same quality and life.

I am also very passionate about the reusing of materials, and re-appropriating things that have lost their original purpose and in the process giving them a new one. 

Paper maps are becoming redundant because we mostly use satnav's or google maps now, they are much more immediate and very up-to-date though often not so accurate.  The thing with paper maps is they make you see the bigger picture, where as satalite navigation is much more focused on the route you are taking, which can lead to all sorts of problems as we blindly follow them, without noticing that they are not perhaps taking us on the best route or leading us somewhere we shouldn't be going.

Maps for me are integral to the process of making work.  I also love the hunt, the adventure of not knowing what I am going to find.  I cannot control the sources, I can only use what I can find which is all part of the creative process for me.

I hope you are enjoying this series of questions and am always happy to answer any questions on my work or the process.
The Green Green Grass © Claire Brewster February 2012

17 Feb 2012

Here today gone tomorrow - paper show at the NG Gallery Sydney

There is beauty here





















I am very excited to announce that I have been invited to exhibit some of my papercuts in an exhibition of paper art in Sydney at the NG Art Gallery in Sydney Australia.  It is taking place in March this year and here is a sneak a peak at the work I'm showing there.  I will be posting more details nearer the time.  It should be a great show as there are lots of great paper artists involved.

This world is not enough

13 Feb 2012

Ready to be cut - Recent paper cuts

Here are a couple of paper cuts I've been working on recently. Some birds and bees.


8 Feb 2012

Questions, Questions, Questions - Where do you get your ideas from?



















This question was posed by my good friend Kitty Killian. It's a very good question and a difficult question.  My initial answer is I don't really know as they appear as thoughts that nag away until I do something about them. But is that really a satisfactory answer?  Probably not so I will go into more detail of the ways I bring the ideas to my mind.


If we take ideas to mean inspiration then they come from all sorts of places, like the lovely postcard above or an exhibition or another artists work or simply something I see when I am walking around.  It's the filtering process that is interesting, because that is where inspiration becomes ideas that goes on to be translated into a piece of work.

I have certain rituals that I like to go through when I start a new piece or series of works.  I like to look through all the previous drawings I've done and pull out any that catch my eye, that might work for what I'm planning do.  I also look through the maps I have and look at ebay and etsy to find new ones.  If I need more stimulation I like to go to the V & A museum or some galleries and look at things.

My work for me is about catching a mood and a moment and trying to represent it. It's an ethereal thing, which is why nature appeals to me because though we try to understand it, we never really can, something that as you try to grasp it always slips through your fingers

When I look at the birds I see around the streets of London, I always feel like they are looking right through me, which is both intriguing and frustrating.  I need them more than they need me.

I also feel very passionately about bringing more beauty into the world.  When people look at my work, I want them to feel a moment of peace and silence. 

The notion of freedom is something that is important to me, the idea that nature is somehow free, unencumbered by the baggage that we humans feel compelled fill our lives with.

Well I'm not sure if that explains where my ideas come from, but hopefully it gives some idea of what I'm about.

5 Feb 2012

Hyacinths - a little bit of spring in the depths of winter

I love to have Hyacinths in my house this time of year, they are welcome bit of colour in the darkness of winter.  My house is filled with their beautiful scent, a scent full of all the possibilities of spring.

I found this lovely myth via Wikipedia.

Hyacinth was a beautiful youth loved by both the god Apollo and the West Wind, Zephyr.  Apollo and Hyacinth took turns at throwing the discus.  Hyacinth ran to catch it to impress Apollo, but he was struck by the discus as it fell to the ground, and died. A twist in the tale makes the wind god Zephyrus responsible for the death of Hyacinth. The youth's beauty caused a feud between Zephyrus and Apollo.  Jealous that Hyacinth preferred the radiant archery god Apollo, Zephyrus blew Apollo's discus off course, so as to injure and kill Hyacinth. Apollo did not allow Hades to claim Hyacinth. Instead, Apollo made a flower, the hyacinth, from Hyacinth's spilled blood.